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Accommodation Newmarket Suffolk East Anglia
But when the no-fun Commonwealth passed and the Crown was
restored, Charles II concentrated almost exclusively on the
nags. Today, the town has the National Stud, the British Horse
Racing Museum and Tattersalls blood stock sales, not to mention
some very extensive and expensive racing stables and studs
tucked into the folds of the surrounding countryside.
Tucked into the streets and lanes of the town itself meanwhile
are the ancillary trades - the farriers and saddle makers,-
and of the latter, one is continuing the royal connection.
For up Sales Paddock Lane, a steep street leading to a Tattersalls
entrance, is the firm of Gibson Saddlers Ltd, saddle makers
by Royal Appointment.
Gibsons
cannot perhaps claim to go right back to back to the House
of Stuart but the firm has been around for a while now. It
was founded - though under another name - outside Newmarket
in the early 1900s by one Colonel Gibson and moved into the
town - by then under the Gibson banner - in the 1950s. It
was acquired in the mid 1960s by Willie Stephenson, a well
known trainer based in Royston with some major National Hunt
and flat racing winners to his name; he trained winners of
both the Derby and the Grand National, the only living Englishman
to do so at the time. He ran the saddlery business with his
daughter, Liz, who, from the late ‘70s, also ran the
Newmarket Saddlery with her husband, Mike. In 1984, Gibsons
and the Newmarket Saddlery were combined into the single operation
known as Gibson Saddlers Ltd which, since Liz’s sad
and untimely death last year, is now run by Mike and his son
Karl.
Mike takes up the story. ‘The firm’s Royal Appointment
was actually received in 1932 and we are still the exclusive
supplier of Royal racing colours today. We have made show
bridles for The Queen, racing colours for The Queen Mother,
a saddle for Prince Charles and eventing equipment for the
Princess Royal’.
Sheikh Mohammed, crown prince of Dubai who is a major presence
in Newmarket - and indeed British - racing with extensive
property holdings in and around the town, is also a regular
customer.
‘He rides in endurance events both in the UK and Dubai
- over distances of 100 miles or more in Dubai - and last
year he wanted a lighter saddle. We crafted a design which
at 3.5kg, was about a quarter of the weight of a normal saddle
for that purpose and the Sheikh promptly won the Dubai Endurance
Gold Cup with the first prize of a Rolls Royce.’
Unsurprisingly, the Sheikh has ordered more - lightness
comes at the cost of durability and these saddles are not
designed for much more than one such event - and the firm
has now supplied them. It also supplies all of his racing
colours.
Much
of its non-commissioned production is sold through the on-site
shop which itself is worth a visit. Walk in and after the
welcoming smell of leather, the first thing you notice is
a stuffed horse. And this is no ordinary horse but one Robert
the Devil, trained at Palace House in Newmarket, who was second
in the Derby of 1880. That day, he was beaten by a horse named
Bend Or whom he subsequently beat three times that same season.
That year he won £24,000 which was a considerable amount
of money at the time. Robert the Devil came from another firm
of saddlers, Boyce & Rogers, which Gibsons took over in
the early 1960s complete with the workforce and Robert who
had hitherto been standing very still in the Boyce & Rogers
High Street shop.
But it is in the workshops at the back where Gibsons’
real work is done. In one, half a dozen craftsmen can turn
out perhaps 15 racing exercise saddles in a week although
they do produce many different types from substantial hunting
saddles weighing 13kg or so down to racing saddles which can
weigh as little as eight ounces. The leather, bought from
a tannery in Milton Keynes, is cut to shape on presses to
next to the workshop and then different parts of the hide
are put to different uses according to durability and flexibility.
A handmade saddle can cost up to £1000 although machined
saddles cost significantly less. The firm also makes the full
range of tack including head collars and bridles, the design
of the latter sometimes changing with the racing results in
that whatever design a winning horse is known to have used,
other stables will often want that too. The same goes for
racing saddles.
In
the other workshop, the firm produces hand-stitched racing
silks and also the blankets and racing presentation sheets
which the horses wear in the parade ring and, if things go
well, the winner’s enclosure. Again the firm works for
many different owners and stables in addition to its royal
clients - last year, it made colours for Andrew Lloyd-Webber
- and it regularly turns out sheets for corporate customers
who perhaps are sponsoring races and who want the company
logo or banner to appear before the punters and TV cameras
in the winner’s enclosure.
Gibsons gets the occasional unusual request, says Mike.
‘Ralph Lauren are doing a promotion in their Bond
Street premises at the moment and we have supplied three saddles
and six bridles for that. A couple of years ago, we provided
exhibition saddles to the Hong Kong Jockey Club and to Cheltenham
race course for their respective museums. Both wanted saddles
from three different periods - the early 20th century, the
1930s and the modern day.’
For a while, the firm also did a nice line in jockey’s
body protectors. When Lester Piggott had his bad fall, he
told the press that his body protector saved him and, as with
the tack on the winning horses, demand for them rose rapidly.
They have since become compulsory although new EU regulations
and the use of stronger synthetic materials has persuaded
the firm to withdraw from that particular sector. It was nevertheless
approached by Arsenal Football Club to adapt one for goalkeeper,
David Seaman, who had broken some ribs in training and was
returning in time for the ’98 World Cup. And a fair
amount of adaptation was necessary because Seaman with a 44”
chest is slightly larger than Lester Piggott. But he actually
played in it a couple of times.
This might all sound a bit of a far cry from King Charles
and his times but it is really only a natural development
of a sport which found perfect conditions and built upon them.
And built upon them, it certainly has. Come to Newmarket,
a modest enough town at first glance, and it doesn’t
take long to sense the personal and corporate wealth which
oozes from every square yard of the immediately surrounding
countryside.
Manicured
hedges, tree belts, endless estate walls and large gates guard
the paddocks of the thoroughbred studs. On the Downs every
morning, strings of prime horse flesh collectively worth many
millions go through their paces, being urged to make the grade,
their riders perhaps revelling in the downland gallops that
King Charles did, assuming that Nell Gwyn let him out of the
Palace House or even her own house across Palace Street that
early.
Charles didn’t use a Gibson saddle but his royal successors
do and it is that sort of detail which helps bind a place
together. Newmarket is more than a horse racing town; it is
a matrix of tradition and Gibsons with its royal patronage
seems to have woven itself into that tradition.
Contact www.gibson-saddlers.com Tel 01638 662330